But I like Nicole Viglini’s take on a web page published by Smith College Museum of Art in 2015: that Sternberg, who was born on the Lower East Side in 1904 and as a kid took free art classes at the Brooklyn Museum, depicted a microcosm of New York City.
“Though people from many different walks of life are present together, they do not directly interact with one another,” Viglini wrote. “A couple chats in the foreground, and a few shady-looking men look askance; everyone else seems to be absorbed in their own thoughts.”
“The ads above the seats remind the viewer of the busy commercial madhouse above ground. Within the confines of the subway car, hurtling through tunnels beneath the chaotic city, there is a measure of calm and a respite for people to regain some modicum of control.”