But The Ed Koch Queensboro Bridge (yep, the former mayor’s name was officially added in 2011) might be the most lovely.
The cantilever span itself is graceful and elegant, of course. But what sets the Queensboro apart might be the smaller design motifs and decoration the bridge architects insisted on before it officially opened in 1909.
Among these are the decorative lampposts at the entrance to the bridge, and vaulted, Cathedral-like ceilings lined with famous Guastavino tiles under the Manhattan-side bridge approach, the commercial space known as Bridgemarket.
Then there are the blue and white tiles built in to the facade under the bridge approach on First Avenue. They could be terra cotta; I’m not quite sure.
The circles and rectangles on each individual tile weave a spectacular pattern covering large swaths of the bridge approach.
But if you don’t look for them as you walk under the approach, you might miss out on this wonderful decorative touch that appears to exist entirely to charm pedestrians.